Sabrina Negri
(RTDb) Assistant Professor
- Dipartimento di Studi Umanistici
- SSD: L-ART/06 - cinema, photography and television
- ORCID: orcid.org/0000-0001-6032-4929
Contacts
At
- Dipartimento di Studi Umanistici
- Corso di laurea in DAMS
Discipline delle Arti, della Musica e dello Spettacolo - Corso di laurea magistrale in CAM
Cinema, Arti della scena, Musica e Media - Cultural Heritage and Creativity for tourism and territorial development
- Dottorato in Patrimonio Culturale e produzione storico-artistica, audiovisiva e multimediale
Curriculum vitae
Curriculum Vitae
(0.1 MB) Selected research products
Un matrimonio interplanetario (A Marriage in the Moon; Enrico Novelli, 1910). In A Teaching Companion to Silent Film
In corso di stampa Sabrina Negri https://hdl.handle.net/2318/2028897
Cattolicesimo a passo ridotto: San Paolo Film e Angelicus Film tra competizione e collaborazione
2024 Sabrina Negri https://hdl.handle.net/2318/2028896
Home (Wide)Screens: CinemaScope Aesthetics in the Streaming Age
2023 Sabrina Negri https://hdl.handle.net/2318/1904653
Essi vivono di John Carpenter
2023 Sabrina Negri https://iris.unito.it/handle/2318/1884561
Men and Machines, One Heartbeat? Technological Bodies in Fascism’s Empire Cinema.
2023 Sabrina Negri https://iris.unito.it/handle/2318/1884559
The Cinema in Flux: The Evolution of Motion Picture Technology from the Magic Lantern to the Digital Era by Lenny Lipton
2022 Sabrina Negri https://iris.unito.it/handle/2318/1884547
Italian Ecocinema: Beyond the Human by Elena Past
2022 Sabrina Negri https://iris.unito.it/handle/2318/1884548
Fine Arts on Film: The Hand-Painted Work of Stan Brakhage.
2022 Sabrina Negri https://iris.unito.it/handle/2318/1884540
The Lusty Men (Nicholas Ray, 1952); River of No Return (Otto Preminger, 1954); Johnny Guitar (Nicholas Ray, 1954); Run for Cover (Nicholas Ray, 1955).
2022 Sabrina Negri https://iris.unito.it/handle/2318/1884551
(Di)visioni di genere. La critica cinematografica delle Figlie di San Paolo.
2022 Sabrina Negri https://iris.unito.it/handle/2318/1884146
The Afterlife of New American Cinema: An Archival Perspective
2022 Sabrina Negri https://iris.unito.it/handle/2318/1884560
The Humanistic Digital: Digital Restoration Tools and the Paradoxes of Uniqueness.
2020 Sabrina Negri https://iris.unito.it/handle/2318/1884555
Introduzione a Tecniche di restauro cinematografico. Metodi e pratiche tra analogico e digitale.
2020 Sabrina Negri https://iris.unito.it/handle/2318/1884554
From Grain to Pixel by Giovanna Fossati
2019 Sabrina Negri https://iris.unito.it/handle/2318/1884549
World War I Was Not in Black and White: They Shall Not Grow Old and the Status of the Digitally Restored Image.
2019 Sabrina Negri https://iris.unito.it/handle/2318/1884541
Painting, Mirrors, Memories. Epistemological Paths in Dario Argento's Profondo Rosso.
2018 Sabrina Negri https://iris.unito.it/handle/2318/1884542
I Saw, Therefore I Know? Alfred Hitchcock's The Wrong Man and the Epistemological Potential of the Photographic Image.
2017 Sabrina Negri https://iris.unito.it/handle/2318/1884543
Simulating the Past. Digital Preservation of Moving Images and the 'End of Cinema'.
2016 Sabrina Negri https://iris.unito.it/handle/2318/1884544
Nitrate Did Wait. And It Looks Fabulous.
2015 Sabrina Negri https://iris.unito.it/handle/2318/1884556
La censura nella distribuzione in 16mm: il caso San Paolo Film.
2014 Sabrina Negri https://iris.unito.it/handle/2318/1884557
San Paolo Film: Education through Cinema in Post-War Italy.
2013 Sabrina Negri https://iris.unito.it/handle/2318/1884545
Do You Have Any 16mm Nitrate Films in Your Archive? The Case of Ferrania 16mm Nitrates in the San Paolo Film Collection at the Museo Nazionale del Cinema in Torino.
2011 Sabrina Negri; Luca Giuliani https://iris.unito.it/handle/2318/1884558
Digital Cinema, Analogical Archives, Film Historiography: The Missing Links.
2011 Sabrina Negri; Luca Giuliani https://iris.unito.it/handle/2318/1884546
Courses
- FILM HERITAGE: PROGRAMMING AND CURATORSHIP (with multisciplinary lab creativity for tourism) (STS0437)
Cultural Heritage and Creativity for tourism and territorial development - Storia del cinema (cognomi A-L) (SCF0449)
Corso di laurea in DAMS
Discipline delle Arti, della Musica e dello Spettacolo - TEORIE E PRATICHE DEL RESTAURO CINEMATOGRAFICO (STU0771)
Corso di laurea magistrale in CAM
Cinema, Arti della scena, Musica e Media
Research groups
Research projects
Activities in agenda
Academic bodies