Sabrina Negri
(RTDb) Assistant Professor
- Dipartimento di Studi Umanistici
- SSD: L-ART/06 - cinema, photography and television
Contacts
At
- Dipartimento di Studi Umanistici
- Corso di laurea in DAMS
Discipline delle Arti, della Musica e dello Spettacolo - Corso di laurea magistrale in CAM
Cinema, Arti della scena, Musica e Media - Cultural Heritage and Creativity for tourism and territorial development
Curriculum vitae
Curriculum Vitae
(0.1 MB) Selected research products
Men and Machines, One Heartbeat? Technological Bodies in Fascism’s Empire Cinema.
In corso di stampa Sabrina Negri https://iris.unito.it/handle/2318/1884559
The Cinema in Flux: The Evolution of Motion Picture Technology from the Magic Lantern to the Digital Era by Lenny Lipton
2022-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884547
Italian Ecocinema: Beyond the Human by Elena Past
2022-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884548
Fine Arts on Film: The Hand-Painted Work of Stan Brakhage.
2022-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884540
The Lusty Men (Nicholas Ray, 1952); River of No Return (Otto Preminger, 1954); Johnny Guitar (Nicholas Ray, 1954); Run for Cover (Nicholas Ray, 1955).
2022-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884551
Essi vivono di John Carpenter
2022-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884561
(Di)visioni di genere. La critica cinematografica delle Figlie di San Paolo.
2022-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884146
The Afterlife of New American Cinema: An Archival Perspective
2022-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884560
The Humanistic Digital: Digital Restoration Tools and the Paradoxes of Uniqueness.
2020-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884555
Introduzione a Tecniche di restauro cinematografico. Metodi e pratiche tra analogico e digitale.
2020-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884554
From Grain to Pixel by Giovanna Fossati
2019-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884549
World War I Was Not in Black and White: They Shall Not Grow Old and the Status of the Digitally Restored Image.
2019-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884541
Painting, Mirrors, Memories. Epistemological Paths in Dario Argento's Profondo Rosso.
2018-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884542
I Saw, Therefore I Know? Alfred Hitchcock's The Wrong Man and the Epistemological Potential of the Photographic Image.
2017-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884543
Simulating the Past. Digital Preservation of Moving Images and the 'End of Cinema'.
2016-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884544
Nitrate Did Wait. And It Looks Fabulous.
2015-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884556
La censura nella distribuzione in 16mm: il caso San Paolo Film.
2014-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884557
San Paolo Film: Education through Cinema in Post-War Italy.
2013-01-01 Sabrina Negri https://iris.unito.it/handle/2318/1884545
Do You Have Any 16mm Nitrate Films in Your Archive? The Case of Ferrania 16mm Nitrates in the San Paolo Film Collection at the Museo Nazionale del Cinema in Torino.
2011-01-01 Sabrina Negri; Luca Giuliani https://iris.unito.it/handle/2318/1884558
Digital Cinema, Analogical Archives, Film Historiography: The Missing Links.
2011-01-01 Sabrina Negri; Luca Giuliani https://iris.unito.it/handle/2318/1884546
Courses
- Storia del cinema (cognomi A-L) (SCF0449)
Corso di laurea in DAMS
Discipline delle Arti, della Musica e dello Spettacolo - TEORIE E PRATICHE DEL RESTAURO CINEMATOGRAFICO (STU0771)
Corso di laurea magistrale in CAM
Cinema, Arti della scena, Musica e Media
Research groups
Research projects
Academic bodies