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MAKING AN ART EXHIBITION OF MODERN AND CONTEMPORARY ART: PROJECTS, STRATEGIES, COMMUNICATION (with multisciplinary lab creativity for tourism)
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MAKING AN ART EXHIBITION OF MODERN AND CONTEMPORARY ART: PROJECTS, STRATEGIES, COMMUNICATION (with multisciplinary lab creativity for tourism)
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Academic year 2023/2024
- Course ID
- STS0436
- Teachers
- Alessandro Morandotti (Course owner)
Giovanni Casini (Course owner) - Degree course
- Cultural Heritage and Creativity for tourism and territorial development
- Year
- 1st year
- Teaching period
- Second semester
- Type
- Characterizing
- Credits/Recognition
- 8
- Course disciplinary sector (SSD)
- L-ART/02 - history of modern art
L-ART/03 - history of contemporary art - Delivery
- Traditional
- Language
- English
- Attendance
- Mandatory
- Type of examination
- Written with oral to follow
- Prerequisites
- General knowledge of the main artistic trends of the 17th-18th and 20th centuries and the key art historical approaches.
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Sommario del corso
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Course objectives
The teaching is directed to provide the skills needed to address historical and methodological issues of Art History in the modern and contemporary period, but particularly to provide general informations on how to organize an art exhibition: the birth of a project, the role of the curators, the role of the museums hosting and organizing the initiative, the role of all other people involved (registrar, art handlers, architect/exhibition designer etc.).
Students will develop the tools to navigate museums in the present and distinguish the diverse roles and functions within these institutions, such as the director and the board, curatorial assistants, registrars, the press office, the corporate membership and development office, and the marketing office. They will also familiarize themselves with the various functions of contemporary Kunsthalle (temporary exhibition centers), commercial galleries, and international large-scale exhibitions such as biennials and triennials.
The classes will introduce students to key players in the contemporary art system, providing insights into the roles of curators, museum directors, collectors, and art critics. The course will also touch on the history of curating, unveiling both theoretical and practical aspects of this field. Overall, the course aims to illuminate the interconnectedness of cultural theory and art practice.
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Results of learning outcomes
TEACHING MODULE 1 (Giovanni Casini)
TEACHING MODULE 2 (Alessandro Morandotti)
By the end of the course it is necessary to have acquired knowledge and confidence on modern art exhibitions in the making, demonstrating an understanding of the problems related to their staging and promotion.
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Program
TEACHING MODULE 1 (Giovanni Casini)
Exhibitions of modern and contemporary art: histories, approaches, key moments.
Case study: "Dans l’appartement de Léonce Rosenberg. De Chirico, Ernst, Léger, Picabia…", Musée Picasso-Paris, January-May 2024.
TEACHING MODULE 2 (Alessandro Morandotti)
Current exhibitions of Old Masters: some cases
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Course delivery
Course of 48 hours (24 each module, 8 CFU in total), using slides and discussion in classroom.
Visits to relevant current exhibitions and meetings with professionials in the field may be organized (online or in person).
The lessons are held in presence and attendance is mandatory.
Students that can't attend the lessons in presence should contact the teachers for further guidance. Didactic tools will be made available on the Moodle platform and students may schedule online meetings with the teachers through the Webex platform.
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Learning assessment methods
TEACHING MODULE 1 (Giovanni Casini)
As crucial part of the exam, the student will prepare a written presentation of the experience analysed in class (600-800 words). In the oral part of exam, students will be required to discuss their submmissions and answer some questions on the bibliography assigned for the exam. More information will be provided throughout the course.
TEACHING MODULE 2 (Alessandro Morandotti)
As crucial part of the exam, the student will give a personal written presentation of the experience (600-800 words nearly). In the oral part of exam, students will be required to discuss their submmissions and answer some questions on the bibliography assigned for the exam. More information will be provided throughout the course.
The final grade, in thirtieths, will be communicated at the end of the oral exam.
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Support activities
For Students with disabilities, please refer to:
https://www.unito.it/servizi/lo-studio/studenti-e-studentesse-con-disabilitaopen_in_newFor DSA Students, please refer to:
https://www.unito.it/servizi/lo-studio/studenti-e-studentesse-con-disturbi-specifici-di-apprendimento-dsa/supportoopen_in_newDSA students are asked to contact teachers during office hours to determine compensatory remedies and individualised treatment.
Suggested readings and bibliography
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TEACHING MODULE 1 (Giovanni Casini)
Keep checking the "Recommended readings" section on the Moodle page of the course.
TEACHING MODULE 2 (Alessandro Morandotti)
The bibliography will provided at the beginning of the lessons, together with images, ppt and other useful didactic tools available on the Moodle platform.
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Notes
Registration for the course is strongly recommended in order to receive timely information.
The tutor of the course will be the Professor of contemporary Art in process of enlistment.
- Enroll
- Open
- Enrollment opening date
- 01/09/2023 at 08:00
- Enrollment closing date
- 29/06/2024 at 20:00
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